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Measures: 20 - 35
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Unique Accidentals: > 4
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Handel
Handel Andante Siebente Suite in g moll - HWV 432
pental
3:48 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 1 7 6 100%
Bass 21 0 5 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 1 7 6 100%
Bass 21 0 5 4 100%
 
HWV63A1N5 - "For Sion lamentations make" in f minor
edward.maurath
3:06 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
Bassoon Bass 19 0 6 8 100%
Bassoon Continuo Bass 24 0 9 6 100%
Contrabassi Continuo Bass 19 0 7 5 100%
Inferred Bassoon 23 0 7 6 100%
Viole 16 0 4 7 100%
Violini 1 Treble 20 0 8 6 100%
Violini 2 Treble 17 0 7 6 100%
Violoncelli Continuo Bass 20 0 7 5 100%
Alti 10 0 4 7 83%
Soprani 14 0 5 7 83%
Bassi Bass 16 0 5 7 79%
Tenori 12 0 4 7 76%
Oboe 1 Treble 12 0 3 7 72%
Oboe 2 Treble 15 0 6 7 72%
 
Händel: Sonata 10, Op. I., HWV 368 Andante
hillaby
2:06 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 21 0 8 10 100%
Classical
Guitar		 Treble 27 50 11 6 90%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 21 0 8 10 100%
Classical
Guitar		 Treble 27 50 11 6 90%
 
HWV58A2N17 - Jupiter, "Where 'er you walk" in B-Flat Major
edward.maurath
2:57 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Continuo Treble 19 54 6 6 100%
Bass 22 6 6 3 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Continuo Treble 19 54 6 6 100%
Bass 22 6 6 3 100%
Cello Bass 20 0 5 3 100%
Kontrebaß Bass 20 0 5 2 89%
Violas 18 0 4 4 85%
Vln
1		 Treble 22 0 6 6 85%
Vln
2		 Treble 20 0 6 3 85%
Tenor
as Jupiter		 12 0 3 7 78%
 
HWV5A3N6: Ah sommi Dei, cui la giustizia arruota (Esilena)
edward.maurath
2:16 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Contniuo) Bass 12 0 4 3 100%
Harp (Continuo) Treble 18 40 5 3 97%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Contniuo) Bass 12 0 4 3 100%
Harp (Continuo) Treble 18 40 5 3 97%
Bass 17 20 5 4 83%
Esilena 15 0 6 6 97%
 
HWV7A1N26 "Cor ingrato, ti rammembri" (c minor)
edward.maurath
2:01 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 35 7 7 97%
Bass 24 25 7 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 35 7 7 97%
Bass 24 25 7 6 100%
Violoncello Bass 24 0 7 6 100%
Rinaldo 14 0 4 8 92%
 
Handel Sarabande Siebente Suite in g moll - HWV 432
pental
3:22 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 17 6 6 100%
Bass 16 1 4 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 17 6 6 100%
Bass 16 1 4 5 100%
 
Handel – Prelude «Voi che mie fide ancelle» from "Giulio Cesare" for Sax soprano & Strings Synth.
Aquarius-Ru
2:24 Est. Play
Time
31 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Strings
Synth.		 Treble 24 51 8 6 100%
Violoncello Bass 15 0 4 9 100%
Saxophone soprano Treble 14 0 6 9 94%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Strings
Synth.		 Treble 24 51 8 6 100%
Violoncello Bass 15 0 4 9 100%
Saxophone soprano Treble 14 0 6 9 94%
 
"Prestami un solo dardo," from act 2 of Handel's 'Rodrigo,' HWV 5 (1707)
edward.maurath
4:25 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 22 28 10 6 89%
Bass 26 39 9 8 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 22 28 10 6 89%
Bass 26 39 9 8 100%
Harp (Continuo) Treble 22 28 10 6 89%
Bass 26 39 9 8 100%
Violoncello (Continuo) Bass 25 0 8 7 100%
Evaneo 15 0 5 6 97%